TY - JOUR
A1 - Lazzari, Edoardo 
 
PY - 2021 
TI - MAKE SPECTATOR GREAT AGAIN! UNO SPACCATO DELLA PARTECIPAZIONE SPETTATORIALE NELL’EDIZIONE 2019 DELLA BIENNALE TEATRO 
JO - Plemos 
SN - 9788855224819/2281-9517 
AB - The following text aims at investigating spectator participation, here called also “spectator dramaturgy”, within the specific context of an
international theatre festival, La Biennale di Venezia. After offering a brief theoretical schema on the penalized condition of the role of the spectator has always been had in theatre studies and not only there (Rousseau, Mervant-Roux, Grotowksy), its autonomous and emancipated positioning from statute (Rancière) is then made to emerge. In particular, three case studies (Club Gewalt, Julian Hetzel and Miet Warlop) present in the Biennale are then considered in order to analyse and highlight the different dramaturgical strategies of audience involvement and how, despite the different uses, “participation” is a conditio sine qua non of the relationship between stage and auditorium.  
SE - 2/2021 
DA - 2021 
KW - participative dramaturgy
KW - spectator dramaturgy
KW - emancipated spectator
KW - teatro
KW - spettatorialità
KW - drammaturgia partecipativa
KW - drammaturgia spettatoriale
KW - spettatore emancipato
KW - festival
KW - theatre
KW - spectatorship   
UR - https://www.rivistapolemos.it/make-spectator-great-again-uno-spaccato-della-partecipazione-spettatoriale-nelledizione-2019-della-biennale-teatro/?lang=en 
DO - 10.48247/P2021-2-007 
PB - Donzelli Editore
LA - it  
SP - 127 
EP - 141 
ER - 

@article{1048247/P20212007,
author = {Edoardo Lazzari},
title = {MAKE SPECTATOR GREAT AGAIN! UNO SPACCATO DELLA PARTECIPAZIONE SPETTATORIALE NELL’EDIZIONE 2019 DELLA BIENNALE TEATRO},
publisher = {Donzelli Editore},
year = {2021},
ISBN = {9788855224819},
issn = {2281-9517},
abstract = {The following text aims at investigating spectator participation, here called also “spectator dramaturgy”, within the specific context of an
international theatre festival, La Biennale di Venezia. After offering a brief theoretical schema on the penalized condition of the role of the spectator has always been had in theatre studies and not only there (Rousseau, Mervant-Roux, Grotowksy), its autonomous and emancipated positioning from statute (Rancière) is then made to emerge. In particular, three case studies (Club Gewalt, Julian Hetzel and Miet Warlop) present in the Biennale are then considered in order to analyse and highlight the different dramaturgical strategies of audience involvement and how, despite the different uses, “participation” is a conditio sine qua non of the relationship between stage and auditorium.}
journal = {Pólemos},
number = {2/2021},
doi = {10.48247/P2021-2-007},
URL = {https://www.rivistapolemos.it/make-spectator-great-again-uno-spaccato-della-partecipazione-spettatoriale-nelledizione-2019-della-biennale-teatro/?lang=en},
keywords = {participative dramaturgy; spectator dramaturgy; emancipated spectator; teatro; spettatorialità; drammaturgia partecipativa; drammaturgia spettatoriale; spettatore emancipato; festival; theatre; spectatorship.},
pages = {127-141},
language = {it}
}